Johann Zoffany
German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.
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Johann Zoffany Charles Towneley's Library in Park Street (nn03) oil painting


Charles Towneley's Library in Park Street (nn03)
1783 Oil on canvas 127 x 99 cm 50 x 39 in Towneley Hall Art Gallery Burnley
Painting ID::  23540 		Johann Zoffany
Charles Towneley's Library in Park Street (nn03)
1783 Oil on canvas 127 x 99 cm 50 x 39 in Towneley Hall Art Gallery Burnley
   
   
     
Johann Zoffany Queen Charlotte at her Dressing Table (mk25) oil painting


Queen Charlotte at her Dressing Table (mk25)
c 1765
Painting ID::  24006 		Johann Zoffany
Queen Charlotte at her Dressing Table (mk25)
c 1765
   
   
     
Johann Zoffany The Tribuna of the Uffizi (mk25) oil painting


The Tribuna of the Uffizi (mk25)
1772-80
Painting ID::  24090 		Johann Zoffany
The Tribuna of the Uffizi (mk25)
1772-80
   
   
     
Johann Zoffany Queen Charlotte (mk25) oil painting


Queen Charlotte (mk25)
1771
Painting ID::  24262 		Johann Zoffany
Queen Charlotte (mk25)
1771
   
   
     
Johann Zoffany George Prince of Wales and Frederick later Duke of York (mk25 oil painting


George Prince of Wales and Frederick later Duke of York (mk25
c 1765
Painting ID::  24267 		Johann Zoffany
George Prince of Wales and Frederick later Duke of York (mk25
c 1765
   
   
     
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     Johann Zoffany
     German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.

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